Introduction

Words & Mu­sic: Ro­bert Low­ry, in Gos­pel Hymns No. 3, ed­it­ed by Ira D. San­key, James Mc­Gra­na­han & George C. Steb­bins (New York; Chi­ca­go, Il­li­nois; and Cin­cin­na­ti, Ohio: Big­low & Main and John Church, 1878) (🔊 pdf nwc).

A wi­dowed lady of cul­ture, about for­ty years of age, who was an ac­comp­lished vo­cal­ist, had ceased to sing, though her sweet voice was still in its prime.

The cause was her sor­row for her run­a­way boy. She had not heard from him for five years. While spend­ing a week with friends in a ci­ty dis­tant from home, her hid­den talent was be­trayed by the friends to the pas­tor of their church, where a re­viv­al was in pro­gress, and per­sua­sion that seemed to put a du­ty up­on her fin­al­ly pro­cured her con­sent to sing a so­lo.

The church was crowd­ed. With a force and feel­ing that can be ea­si­ly guessed she sang Where Is My Boy To­night? and finished the first stan­za. She be­gan the se­cond…and as the con­gre­ga­tion caught up the refrain…a young man who had been sit­ting in a back seat made his way up the aisle and sobbed, Mo­ther, I’m here!

The embrace of that mo­ther and her long lost boy turned the ser­vice in­to a ge­ne­ral hal­le­lu­jah. At the in­qu­iry meet­ing that night there were ma­ny souls at the Mer­cy Seat who ne­ver knelt there be­fore—and the young wan­der­er was one.

Brown, pp. 446–47